In the realm beyond spectrum / スペクトルの彼方で

Sareena Sattapon ( PhD)

Human, space, and time are essential components in performative art pieces, intricately interconnecting with each other. Traditionally, in the process of creating performances, the artist retains control over all these elements. However, what would happen if the “”Human”” component were not performers but spectators? If “”observing”” equates to “”creating””, How can we control the uncontrolled? “”In the realm beyond spectrum”” is an attempt to connect the audience with artwork by creating a performative space comprising six channels of video mockumentary, a white cube room, and glass wall. The video draws inspiration from the life story of Sareena’s aunt, who resides in Thailand but is depicted within Japan’s context. Viewers can observe and listen from both “”inside”” and “”outside””, and as they become part of the artwork, their role transforms from observers to contributors. The seemingly endless relationships between individuals and spaces may help spectators to revisit the connections they possess.

Sareena sattapon

本展「In the realm beyond spectrum」は、ホワイトキューブとガラスの壁、6チャンネルのモキュメンタリ―映像で構成されたパフォーマンス空間を立ち上げ、観客と作品を接続する試みを行います。映像は、タイに住むサッタポンの叔母の人生譚から着想を得ており、それを日本の文脈に置き換えて描かれています。鑑賞者は作品の「内」と「外」の双方から作品を見聞きし、作品の一部となることで、その立場は鑑賞者から作品の構成者へと変化します。個々人と空間の、一見すると終わりのない関係性は、鑑賞者自らが持つ繋がりを再訪する手がかりとなります。

Period /会期:23 March – 25 May 2024 *Closed on Sun-Wed and holidays
Venue/ 会場:Piramide Bldg., 4F 6-6-9 Roppongi, Minato-ku Tokyo
現代芸術振興財団(東京都港区六本木6-6-9 ピラミデビル4階)
Open hours:Thursday・Friday・Saturday 12:00〜19:00
Opening reception:23rd March (Sat) 17:00〜19:00
Organizer:公益財団法人 現代芸術振興財団

現代芸術振興財団本展特設website: https://gendai-art.org/caf/sareena/

fabulation / (ma)tter | Jean Lemonnier

This exhibition “Fabulation/ (ma) tter” will present the results of a 2-week studio residence at Uenoshita Studio, which was realized by receiving the Tokyo University of the Arts Graduate School of Fine Arts Global Art Practice (GAP) Major Award.

本展「fabulation / (ma)tter」は、東京藝術大学大学院美術研究科グローバルアートプラクティス(GAP)専攻賞を受賞したことにより実現した、上野下スタジオでの2週間のスタジオ・レジデンスの成果発表となります。ぜひご高覧ください。

◼️Information

展覧会タイトル|Exhibition title

fabulation / (ma)tter | Jean Lemonnier

会期|Date and Hours

2024/3/21(木) – 3/31(日)

12:00-18:00(17:30最終入館)

March 21, 2024 (Thursday) – Marcha 31, 2024 (Sunday)

住所|Address

上野下スタジオ
〒110-8541 東京都台東区上野4-8-4 ABAB UENO 6階

Uenoshita studio, ABAB Ueno 6th floor

>Google Map

企画|

東京藝術大学大学院美術研究科グローバルアートプラクティス(GAP)+ArtSticker

For more information, please visit: https://artsticker.app/events/29537

触れること・触れられることTouching and Being Touched

郭 梦可/GUO MENGKE

Dates:2024.03.11~2024.03.16 12:00-19:00(last entry16:00)
日時:2024年3月11~16日 12:00-19:00(最終日16:00まで)
Venue:YW GALLERY 6F Ginza 3-8-17, Chuo City, Tokyo, 104-0061
会場:ゆう画廊 6F  〒104-0061 東京都中央区銀座3-8-17 ホウユウビル

Touching and Being Touched In a world teeming with tactile exchanges, from the warmth of a handshake to the comfort of an embrace, “Touching and Being Touched,” ventures into the less traversed terrains of human interaction. Mengke employs her art as a means to open up conversations about haphephobia—the profound discomfort or fear of touch, pushing against societal norms that often dismiss or overlook the discomfort associated with unwanted physical contact. Her artworks serve as a bridge, offering a profound, visual dialogue on the complexities of touch, consent, and personal boundaries. Each piece, whether through abstract forms, textured surfaces, or interactive installations, challenges us to confront our own perceptions of touch and the multifaceted nature of human connections and encourages us to consider the layers of meaning imbued in touch and to recognize the strength in setting and respecting boundaries. ——Harris Kayama

触れること‧触れられること 握手の温もりから抱擁の安心感まで、さまざまな「触れ合い」で溢れる世界において『触れること・触れられること』は、人間交流の中でなかなか語られることのない場所へと扉を開きます。梦可(ムオンコー)は彼女の芸術表現を通して、接触恐怖症についての対話の場を開き、望まない身体接触から触発される不快感をしばしば無視したり軽視したりする社会に問いを投げかけます。 彼女の作品は橋渡しとしての役割をもち、触れることの複雑さや同意、個人的な境界線について深い視覚的対話を立ち上げます。抽象的な形や質感のある表面、またインタラクティブなインスタレーションを通じて、各作品は私たち自身がもつ「触れる」ことへの認識を明かにし、人間の繋がりの多面的な性質を提示することで「触れる」に込められた意味の違いを考慮すること、境界線を設定すること、そして尊重することの重要性を促します。 ——佳山哲巳 日本語:柏原瑚子

https://ywgarou.jimdofree.com/

Touched by Sound: The Being-Together-Being in Movement Art

Dates:April 5th – 6th, 2024 9:00-17:30
日時:2024年4月5-6日 9:00-17:30
Venue:NTU Events and Conferencing, Burton Street, Nottingham, UK
会場:ノッティンガム・トレント大学

The MCCT is an annual interdisciplinary conference that provides a forum for emergent critical scholarship, broadly construed hosted and supported by the Department of Social and Political Sciences at Nottingham Trent University. Join us for the Midlands Conference in Critical Thought, a gathering of brilliant minds to discuss and explore various critical topics.Get ready to engage in thought-provoking discussions, connect with like-minded individuals, and expand your knowledge in critical thought. Don’t miss out on this incredible opportunity to be a part of this stimulating conference. JuJu Kusanagi will be co-presenting a paper with Dr. Lars Koens about their practice and research regarding a set of movement and vocalization workshops she facilitated at Centre National de la Danse (Paris, France), Nottingham Trent University (Nottingham, UK), and Tokyo University of the Arts (Tokyo, Japan).

MCCTは、ノッティンガム・トレント大学の政治・社会人文科学部が主催・支援する、新進の批評的学問のためのフォーラムを提供する学際的な年次学会です。

https://www.londoncritical.co.uk

The branching room | 枝分かれの部屋

日時 : 2024年 2月23日(金)祝日 夜6時 -11時
場所 :   デカメロン 〒160-0021 東京都新宿区歌舞伎町1丁目12−4
入場料 :  2000円+1drink order
企画・制作・協力:Performance Art Platform ハムたまごサンドイッチ / デカメロン

At any time during the event at least one of the artists will be performing, so please feel free to drop by when convenient. The venue is a two-story building, with the drinking bar on the first floor and the performance space / gallery on the second floor. The performances that will take place during the event on the second floor are often interactive, so rather than sitting quietly and watching, we recommend that you join in if you feel comfortable. You can also of course spend time going back and forth to the bar on the first floor.
You are free to exit and re-enter the venue during the event.

The branching room

Our choices cause the future to branch out. A person’s presence branches and multiplies through shadows, reflections, photographs and digital means. Memory is another kind of branching, allowing for the superposition of different times and events. The method of branching, then, transforms the original in various ways, creating the basis for new interpretations, relationships, and opportunities.
 Most of the ‘choices’ in our lives might be made unconsciously. Imagine a dog who suddenly appears, snags a piece of bread from your hand, and walks away while you are debating whether to choose ham or egg as an ingredient for your sandwich. We are surprisingly blind to what is around us, just as we are oblivious to the gaze of a hungry dog. In the Branching Room, we will attempt to once more meet the gaze of the dog and once more be deprived of bread.
 Nameless relationships are of greater interest than named ones. How are relationships between people built, changed, broken, and rebuilt again in the course of everyday life? In the Branching Room, performers and audience will interact with elements of sound, light, photography, and games to explore the consequences of choices and the simultaneity of past, present, and future.
 Artist and performance art platform Ham Tamago Sandwich member Stephan E. Perez, is about to leave Japan, where he has spent the last 8 years. In preparation for his departure, he brings together people involved in his early and recent performance work at the Kabukicho art space “Decameron”. They will be joined by the audience, including you, for reflection and discussion.

BEING-TOGETHER-BEING: IMPROVISATION WORKSHOP | BEING-TOGETHER-BEING: 即興ワークショップ

Dates:December 16, 2023 15:00-18:00
日時:2023年12月16日 15:00-18:00
Venue:NTU Music Centre, Dance Studio, Nottingham, UK
会場:ノッティンガム・トレント大学

In the workshop, we will practice symbiosis among our beings through touch and vocalizations. We will treat space and time as non-linear, registering and relating with (other) bodies, and work to find our unique language. The workshop involves contact/touch and vocalization.

ワークショップは接触と発声を通して共生について探究します。

artist: JuJu Kusanagi
参加アーティスト:草薙 樹樹

Tokyo Geidai ARTFES 2023/東京藝大アートフェス2023

6 students from GAP participated to the online art festival, Tokyo Geidai ARTFES 2023.

Online viewing period of Tokyo Geidai ARTFES 2023 is from around November 2023 to May 2024. Please watch them out!

Hikari Asano (2022 Alumni)

Johanna Riedl (M2 student)

Mesbahi Ines Jasmine (M2 student)

Natalie TSYU (M2 student)

COPEN / コペン (M2 student, Nagisa Mizuno’s collaboration with Katō Yū)

Sattapon Sareena (PhD student)

Takumi Uchida (M1 student)


awarded works from GAP : 東京藝術大学長賞 / Tokyo University of the Arts President’s Award(Takumi Uchida), 優秀賞 / Excellence Award(Sattapon Sareena), 佳作 / Honorable Mention Award(Hikari Asano, Natalie TSYU).

Takumi Uchida’s Solo Composition Concert – Poetry and Song

第一回内田拓海作曲個展「詩と歌」

Takumi Uchida’s Solo Composition Concert. This concert explores the expression of music and words, using two forms of artistic expression: poetry recitation and song. The program commences with ‘Prayer for Piano,’ a composition also featured on the album ‘Prayer.’ It encompasses a repertoire of instrumental compositions and vocal pieces, including both reprisals and the premiere of new compositions created specifically for this concert.

内田拓海初の作曲個展。詩の朗読、そして歌という二つの表現方法を用いて、音楽と言葉の関係を探るコンサートです。 プログラムはアルバム「Prayer」にも収録し、ハンナ作曲賞の入賞作でもある「Prayer for Piano」からはじまり、今年の奏楽堂日本歌曲コンクールで第三位となった「竹内浩三の詩による歌曲集『うたうたいが……』」など、これまでに作曲してきた器楽作品、歌曲の再演、そして、今回のために作曲した新作の初演を行います。

Date/開催日
December 2 (Sat) Doors open at 6:00 p.m., Concert begins at 6:30 p.m. 11:00 – 21:00 18:00開場 18:30開演

Venue/会場: 
Kameido Cultural Center, Camellia Hall
亀戸文化センター・カメリアホール

Address/住所
2-19-1 Kameido, Koto-ku, Tokyo 136-0071
〒136-0071 東京都江東区亀戸2-19-1

Tickets: 3,000 Yen Student Ticket: 2,000 yen
一般3,000円、学生2,000円

内田拓海、唐津裕貴、大谷舞、齋藤華香、山元三奈、藤田魁人、春日紗矢子、池田翔、真田将太朗

WEB: https://takumiuchida-1stconcert.peatix.com/

P.O.N.D

This is a new event information of GAP PhD student, Sareena Sattapon.

The 4th edition of the art and culture event, “P.O.N.D.” Under the banner of Parco, which continues to support new talents, artists have been pursuing their unique expressions and continuously sharing them through various art forms such as art, music, games, fashion, and film, capturing the present moment. Taking place at the heart of Shibuya, Shibuya PARCO, the event “PARCO Opens New Dimension” carries the hope of constantly forging new dimensions, and this year, we will once again hold the event.

第4回目となる、アート&カルチャーイベント〈P.O.N.D.〉。 新しい才能を応援し続けるパルコのもと、アーティストが独自の表現を追求し、アート、音楽、ゲーム、ファッション、映画など、さまざまなアートフォームを通して今を捉えるべく発信を続けてきました。 渋谷の中心にある渋谷PARCOを舞台に、「PARCO Opens New Dimension」、常に新しい次元を切り開いていきたいという希望を込め、今年もイベントを開催いたします。

Period/会期:
13 October (Mon) – 23 October (Thu) 2023 11:00 – 21:00
10.13 fri OPEN/START 18:00〜

Venue/会場: 
ShibuyaPARCO 10F ComMunE + ROOF TOP PARK

Address/住所 :
SHIBUYA PARCO 15-1 UDAGAWA-CHO, SHIBUYA-KU, TOKYO 150-0042, JAPAN

Webpage/ホームページ:
https://pond.parco.jp/

My spirit will follow you

This is a new event information about GAP PhD student, Sareena Sattapon.

Collaboration by Sareena Sattapon and Dan Isomura: “My spirit will follow you” How to rephrase “孤独” (loneliness)? This exhibition showcases the process of transforming it into various forms such as poetry and cuisine between the two artists, delving into the multi-layered traces of anonymous living through a performance piece.

サリーナー・サッタポンと磯村暖によるコラボレーション「My spirit will follow you」 「孤独」を如何に言い換えていくか? 二人の間で詩や料理など様々な形に変換していくプロセス、 匿名的な生活の痕跡を多層的に展開していくパフォーマンス作品を展示。


Period/会期:
2023/09/29 – 2023/10/22 12:00-19:00
Closed on Monday/月曜休廊

Venue/会場:
EUKARYOTE (https://eukaryote.jp/exhibition/mswfy/)

Address/住所 :
東京都渋谷区神宮前3-41-3